1 month ago
Two hunters, one victim, different motives, movie review Some dollars more.

I'm a humble chef, however, I am going to try to properly formulate my thoughts concerning the film, because it is so dear to my heart. If a man with a revolver gets over train in the prologue of Sergio Leone's film, then he or she must have something to say. The silent wanderer keeps a bitter story deep in her heart, his secret weighs heavily on his soul. However, even being sentimental in moments of relative solitude, the traveler is decisive, and as part of his eyes you will notice the rage that's accumulated across the years. He isn't who he seems. The wanderer's name is Douglas Mortimer, a previous military man and from now on a bounty hunter. If viewers on the film listen on the words of the flabby old man chained into a bed (a funny grandpa appears closer to the core of the film), they may learn how the trains, these damned and noisy objects, are at fault for everything. Alas, but earthly hardships aren't limited to trains and Douglas Mortimer is comfortable with this, his problem is made of bones, flesh and blood. The smoothness, played by Lee Van Cleef, cherishes the soul with thoughts of revenge, but not only revenge is in the middle with the plot of Sergio Leone's brainchild, because as well as the retired colonel, there's another hero within the film. Fast, accurate, discreet, another bounty hunter. At least curious, but at most wildly interesting, specially when the “one-armed” shooter is played by Bruce Lee in the field of Westerns - Clint Eastwood. It's simple to guess that the paths of Mortimer as well as the nameless shooter will cross on the planet in the wild west. The spaghetti is already within the pot. In A Few Dollars More, phrases for instance “in 10-20 minutes you will be smoking in hell” or “you want a new sheriff” are inevitable. The hero of Clint Eastwood is shown like a shooter whose abilities can be relevant inside of a science fiction novel, but all of that is considered can't be attributed on the disadvantages on the narrative. Perhaps the most absurd moments in the Western genre and below the skillful direction of Sergio Leone become salt for spaghetti, and the tale in the partnership between One-Handed and Colonel Mortimer tenaciously keeps viewers in the screens, which are in all likelihood visited by such thoughts: ¬¬ “I'm wondering what may occur further? Will One-Armed and Colonel Mortimer find mutual understanding? ” “Some amount of money more” - shootings, chases, music of the clock, personifying the arrival of death, here satire, in addition to foolishness, lives next to each other with drama and ironically interpreted religious motives. And, finally, the storyplot shown by Sergio Leone would be the archetype of several paintings, where partnerships flow into friendship, though into a variety of friendship, with this friendship a buddy can shoot someone inside neck to ensure he isn't killed with the thugs of a final boss. The hearth is burning in the pan. The spaghetti begins to boil. Sergio Leone's tape is a real classic of your genre, and this can be clear and understandable by the sound of bullets fired by the heroes, bank robberies and the long glances that two shooters exchange prior to the decisive shot, that shot that decides human destiny. The creators not just draw attention to their creation (and they do it well), but also touch on burning topics in certain instances of the film, not being afraid to scoff at corrupt politicians and cunning businessmen, using original script moves. Also, it really is over interesting to enjoy lots of Clint Eastwood and Lee Van Cleef - the heroes of the old and new generation of westerns who, finding myself the pictures of Manco (One-armed) and Colonel Mortimer, now and then try to prove something together, competing while in the possession of a revolver and doing of sieve hats. Hmm, something's heating up with the cooking, phew, it's time to serve spaghetti around the table. Winnie, the attendees are waiting, hurry up, they may be hungry and now taste Leone's signature spaghetti. It is sometimes complicated for the expressive chef to find a good helper these days. Spaghetti is served, but wait one minute, dear guests. Undoubtedly, Sergio Leone in the “A Few Dollars More” demonstrates to cinema the lion's share of his talent and professionalism, and the picture itself could be hypertrophied dominating before the first film on the trilogy, which attracted the eye from the expressive Akira Kurosawa. Ages later, Leone's brainchild tries to please an array of people, plus the film succeeds: those viewers who desires a dramatic story obtain it, those who love shooting and duels are satisfied, and connoisseurs of satirical humor is going to be satisfied after watching. Straightforward music, you possibly can speak briefly - Ennio Morricone. Dear listeners, perhaps I am too excited, making my thoughts a bit confused, but in case you watch an awesome film of my fellow countryman one or more times, you'll be convinced with the correctness of my words. However, I can't hide my bias, I actually love the stories in regards to the shooters in the wild west, where there's 2 not the same bounty hunters chasing the identical victim, but is not the same motives. Oh, I almost forgot, season with spaghetti sauce and garnish with basil. Looks pretty good. Enjoy your meal! https://www.123moviessdsasas.com

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